Skip to content
Il Sartoriale The World of Fine Menswear
★
Il Sartoriale
Start here Bespoke tailors Shoemakers Shirtmakers Cloth makers & merchants Fabrics & materials
Craft How clothes are made Tailoring styles Craftsmen History
Clothing GarmentsAccessories BrandsPeople
Places CitiesCountries World map
Tools Find a tailor or shoemakerComparisons PricesGlossary LearnNews Ask the ArchiveAI agents ★ SavedFree API
About About usMethodology Editorial policy Sources Image licensing How we assess CorrectionsContact
Settings
Dark mode
Interface language

Guided view
New to this? Every page opens with a plain-language explanation before the detail begins, and technical terms are expanded where they appear.

Expert view
You already know the vocabulary. Straight to the substance, with the introductory explanations hidden. This is the default.

★ Your saved pages
470 entries across tailoring, shoemaking, cloth and craft Reference publication: we sell nothing and rank nobody for payment Every figure carries its source and the date it was checked

Garment · Shirts

The dress shirt

A dress shirt is judged by how it fits at the collar, shoulder and cuff, and by construction details that decide how long it lasts.

A shirt is judged at the collar, the shoulder and the cuff, because those are the parts visible under a jacket. Its construction (how the collar is interlined, whether the sleeve is set by hand, the single-needle seams, the button quality) determines how it behaves and how long it lasts.

A white dress shirt with a double cuff
A white dress shirt with a double cuff

Fit, in three places

  • The collar. A finger should slide comfortably between collar and neck. Too tight and it strangles; too loose and it gaps and the tie shows a gap at the knot.
  • The shoulder seam. Should sit at the end of your shoulder, as with a jacket. Everything else on a shirt can be altered; this cannot.
  • The cuff. Tight enough that it does not slide over the hand when the arm is lowered; that is what keeps the shirt cuff showing at the jacket sleeve.

Construction

FeatureBetterCheaper
Collar interliningSewn-in or unlined: rolls, softens with ageFused: flat, crisp, can bubble
SeamsSingle-needle, narrow, cleanDouble-needle, wider, puckers
Sleeve attachmentSet by hand, eased at the headMachine set at constant tension
ButtonsMother of pearl, thick, cross-stitched onPlastic, thin
Pattern matchingMatched at the yoke, front and pocketNot matched
Split yokeTwo pieces, allowing shoulder asymmetryOne piece
Almost none of this appears on a label. A shirt's price often reflects the cloth alone.

Collar shapes

The collar frames the face, and the useful principle is contrast: a wider spread balances a narrower face, a point collar suits a rounder one. Collar height matters more than most people realise: a taller collar sits better under a jacket and does not disappear.

The button-down is a specific case: an unlined collar, long enough to roll properly, buttoned to force the curve. Shorten it or fuse it and the roll disappears, which is what has happened to most button-downs currently sold.

At a glance

Judged at
Collar, shoulder, cuff
Cannot be altered
The shoulder
Key construction variable
Collar interlining: fused, sewn or unlined
Buttons
Mother of pearl is the standard for good shirts

Makers associated with it

  1. An illustration of a shirt of the kind the house makes. Not a photograph of the house's own work. G. Inglese Shirtmaker · 1955

    G. Inglese is a family shirtmaker in the small Puglia town of Ginosa, famous worldwide through specialist shops and online for heavily hand-sewn shirts.

  2. An illustration of a shirt of the kind the house makes. Not a photograph of the house's own work. Luca Avitabile Shirtmaker · Naples

    Luca Avitabile is a Naples shirtmaker who cuts each customer their own pattern and sews nearly everything by hand, mostly meeting clients in London and New York.

  3. An illustration of a shirt of the kind the house makes. Not a photograph of the house's own work. Simone Abbarchi Shirtmaker · Florence

    A Florentine shirtmaker whose prices have made him the entry point to Italian bespoke for a lot of people.

  4. An illustration of a shirt of the kind the house makes. Not a photograph of the house's own work. Siniscalchi Shirtmaker · Milan

    Siniscalchi is a Milan shirtmaker making custom shirts that are cleaner and crisper than Naples shirts, with carefully built collars and a close fit.

  5. Turnbull & Asser's shop in St James's, London Turnbull & Asser Shirtmaker · London · 1885

    Jermyn Street's best-known name, with a bespoke workroom behind the shop and a distinctive collar.

  6. An illustration of the house's recorded cut: roped shoulder, full canvas chest, structured english, military bearing. Not a photograph of the house's own work. Dege & Skinner Bespoke tailor · London · 1865

    Dege & Skinner is a family-owned Savile Row tailor known for military and ceremonial uniforms, and rare in making custom shirts in the same building.

How it is made

All techniques →
  1. A shirt collar opened to show its layers Shirt collar construction

    How a shirt collar is lined and attached decides whether it sits stiff and flat or rolls softly, and cheaper shirts often cut corners here.

Last reviewed: September 2026 Report an error on this page
Picture credits 15
  1. A white dress shirt with a double cuff: Original art · Il Sartoriale · Il Sartoriale · Il Sartoriale original art
  2. Man's Off-White Cotton Dress Shirt Belonging to Charles Lindbergh: Photograph · Perfecto · Wikimedia Commons · Public domain
  3. An illustration of a shirt of the kind the house makes. Not a photograph of the house's own work.: Original art · Il Sartoriale · Il Sartoriale · Il Sartoriale original art
  4. KIMBERLY RD STORE EXPANSION 1961: Photograph · Shortmiracle · Wikimedia Commons · CC BY-SA 4.0
  5. Piccadilly Arcade, December 2015 03: Photograph · Edwardx · Wikimedia Commons · CC BY-SA 4.0
  6. Charvet store: Photograph · Racconish · Wikimedia Commons · CC BY-SA 3.0
  7. An illustration of a shirt of the kind the house makes. Not a photograph of the house's own work.: Original art · Il Sartoriale · Il Sartoriale · Il Sartoriale original art
  8. An illustration of a shirt of the kind the house makes. Not a photograph of the house's own work.: Original art · Il Sartoriale · Il Sartoriale · Il Sartoriale original art
  9. An illustration of a shirt of the kind the house makes. Not a photograph of the house's own work.: Original art · Il Sartoriale · Il Sartoriale · Il Sartoriale original art
  10. An illustration of a shirt of the kind the house makes. Not a photograph of the house's own work.: Original art · Il Sartoriale · Il Sartoriale · Il Sartoriale original art
  11. An illustration of a shirt of the kind the house makes. Not a photograph of the house's own work.: Original art · Il Sartoriale · Il Sartoriale · Il Sartoriale original art
  12. An illustration of a shirt of the kind the house makes. Not a photograph of the house's own work.: Original art · Il Sartoriale · Il Sartoriale · Il Sartoriale original art
  13. Turnbull & Asser, St James's, October 2021: Photograph · No Swan So Fine · Wikimedia Commons · CC BY-SA 4.0
  14. An illustration of the house's recorded cut: roped shoulder, full canvas chest, structured english, military bearing. Not a photograph of the house's own work.: Original art · Il Sartoriale · Il Sartoriale · Il Sartoriale original art
  15. A shirt collar opened to show its layers: Original art · Il Sartoriale · Il Sartoriale · Il Sartoriale original art

Image policy