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工匠 · Artisans

Lorenzo and Massimo Cifonelli

Lorenzo and Massimo Cifonelli are cousins running the family's Paris tailoring house, famous for a built-up shoulder that rolls into the sleeve instead of sitting flat.

The third generation of the Cifonelli family, both cutting in the Paris workshop. The house's sculpted shoulder, built up and rolled into the sleeve head rather than padded flat, is the most identifiable detail in contemporary tailoring and requires hours of work no other construction demands.

The shoulder as a technical problem

Building a shoulder that rises and rolls in a continuous curve, over a chest cut very close and pressed clean, is a construction problem rather than a decorative one. The layers have to be shaped, positioned and sewn so the form holds and the coat still moves.

It cannot be approximated by padding, and it is the reason the house sits at the top of the international price range along with the Milanese firms.

The Roman inheritance

The family traces its tailoring to Rome in the 1880s and established in Paris in the 1920s, which is why the Parisian style is neither straightforwardly French nor Italian. Its combination (Italian shaping instincts, French drama, English discipline) is a product of that migration.

The house travels heavily, particularly to New York and Tokyo, and a substantial share of its work is commissioned away from Paris.

Working with the house

Three to five fittings for a first commission and a lead time measured in many months. A substantial share of the work is taken at trunk shows in New York and Tokyo, which extends the calendar further.

The house also makes ready-to-wear and made-to-measure, and the bespoke is a distinct and considerably more expensive product. As with every house offering all three, the question worth asking is which one a particular garment is.

Two cousins, one shoulder

Lorenzo and Massimo Cifonelli run the house together, one principally on the cutting and one on the workroom, and the division matters because the house's signature is not a pattern but an assembly: the shoulder is built, and building it is a workroom skill rather than a cutting-board one. It is the clearest current example of a detail that cannot be copied from a photograph, which is why so many attempts at it are unconvincing.

天然
无垫肩·随体而就
柔软
薄垫·柔和线条
Spalla camicia
袖山如衬衫般抽褶
绳肩
袖头耸起呈脊状
延伸
延伸超出肩点
肩部的五种形式 Right shoulder, front-on; the dashed line is the wearer’s own. Spalla camicia is the Neapolitan signature. The roped shoulder is Roman and Parisian in origin, and Cifonelli’s is the best known. The extended shoulder belongs to the sharper end of Savile Row and to the Nutters silhouette. The shoulder is where a house’s cut is most visible and hardest to fake, because it is built inside the coat. 图示由 Il Sartoriale 绘制。

概览

Generation
The third of the family in Paris
Signature
The built, rolled Cifonelli shoulder
Family origin
Rome, 1880s; Paris from the 1920s
城市
国家

秉承这一传统的工坊

  1. An illustration of the house's recorded cut: roped shoulder, full canvas chest, sculpted shoulder, very clean close chest, high waist. Not a photograph of the house's own work. Cifonelli Paris · 1880

    Cifonelli is a Paris tailoring firm, founded by a Roman family in the 1920s, famous for a padded, rounded shoulder and a very close-fitting chest.

最近审阅: September 2026 报告此页面的错误
图片版权 1
  1. An illustration of the house's recorded cut: roped shoulder, full canvas chest, sculpted shoulder, very clean close chest, high waist. Not a photograph of the house's own work.: Original art · Il Sartoriale · Il Sartoriale · Il Sartoriale original art

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